Cinema Trailers and Movies

Title: Toy Story 3
Release Date: 18 June 2010
Genre: Animation
Cast: Tom Hanks, Tim Allen, John Ratzenberger, Joan Cusack, Michael Keaton
Director: Lee Unkrich
Writers: Michael Arndt
Studio: Walt Disney Pictures

Plot:
Woody, Buzz, and the rest of their toy-box friends are dumped in a day-care center after their owner, Andy, departs for college.

The long, long awaited--like ten years long awaited--trilogy maker Toy Story 3 comes back to theatres in a little over a year. Featuring nearly all of the original voices (except for Slinky Dog, whose actor, Jim Varney, died in February 2000) including Tom Hanks and Tim Allen, this could be the biggest movie of 2010.

Andy's on his way to college in this installment, but before he goes, he's got one thing left to take care of--finding homes for his old friends, Woody, Buzz and all the rest of the Toy Story crew. And when he finds what he thinks is the perfect place at a day care center, the fun and the troubles have only just begun.

Toy Story hits theatres June 2010, so you'd probably better start reserving tickets now. Hit the comments section and join in the inevitable Toy Story love, and thanks for watching.

Cast: Tom Hanks, Tim Allen, Jodi Benson, Michael Keaton, Joan Cusack

Armored movie trailer is provided by Walt Disney Pictures. Movie opens in US theaters on June 18th, 2010

See the movie Trailers:

Opening 10/9 at Village East (NY) and Sunset 5 (LA)



As anyone who’s ever been in love can tell you, it’s a slippery slope from “We’re head over heels in love!” to “We’re fine.” PETER AND VANDY takes us through the relationship of a young New York couple – just not in chronological order. Most movie romances end when the relationship is beginning. Peter and Vandy’s love story goes much further than that. The story shifts back and forth in time, whipping between their romantic beginnings and the inevitable struggles that follow. With star-making performances by Jason Ritter and Jess Weixler, PETER AND VANDY is a unique take on the exhilaration and frustrations love can bring – a love story in disorder.

CAST:
Jason Ritter
Jess Weixler
Jesse L. Martin
Tracie Thoms
Noah Bean

DIRECTOR:
Jay DiPietro

Coming to theatres later this year. Starring: George Clooney, Vera Farmiga, Anna Kendrick From Jason Reitman, the Oscar nominated director of Juno, comes a comedy called Up in the Air

Based on the novel by Walter Kirn, George Clooney stars as corporate downsizing expert Ryan Bingham, who is hired to help ease the transition of long-term employees to the unemployment line across the country. Taking his job very seriously and loving the 290 days away from home—the only problem with that is the 70 days at home in his empty apartment—his world gets turned upside-down when a young upstart in the company threatens to ground the company to fire people via the internet. Not standing for a change in his life, nor the chance for his life goal of total airline miles to end, ("Let's just say I have a number and I haven't hit it yet"), he goes on a mission to prove how personal his job is and how key a face to face meeting can be to talk down an emotionally unstable person and really do the victim a service in an otherwise horrible moment in his life. Along the way, he and the recent college grad, of which the boss loves due to her budget slashing game-changing idea, Natalie, played by Anna Kendrick, both find out what has been lacking in their lives and how to become better people, opening up to love, heartbreak, and the need to grow up.

Clooney's Bingham is the loner businessman whose only relationships exist from random meetings with attractive females at the multiple airports he frequents. His wallet of plastic has become his lifeblood—credit cards from airlines that accumulate his mileage, hotel status perk cards that let him cut the disgruntled travelers and go straight to the front, and numerous room keys that never seem to be thrown out, causing him to always use more than one before finally opening his hotel suite's door. Detached from his family for years as the brother that exists but cannot be counted on for anything, he contemplates whether he should, or really wants to, attend his sister's wedding—the little girl of the family and someone he should have been involved with after the passing of their father. A series of style cramping incidents for him begins with a phone call from his other sister and the request to take a cardboard cutout of the happy couple, (Melanie Lynskey and Danny McBride, in a role that might actually show some nuance for a guy that usually flies by the cuff), and photograph it in front of famous places he travels to for work "like that French gnome movie,"—I love the Amélie reference. Then comes the threat of being taken out of the air, his home for decades, in order to impersonally let go more people more efficiently; the challenge of taking Natalie on his next schedule of jobs to prove to her why the new system won't work; and the addition of a love interest in Vera Farmiga's Alex, a woman who describes herself to him with "just think of me as you with a vagina"—one of many great lines.

There is a lot of subtlety and intricate weaving of plot lines throughout the story, details and sequences that need to be seen fresh to get the full benefit of the film. What you might initially think is a witty comedy about a jerk of a guy who not only thinks he's better than everyone else, but actually is, that either finds the error of his ways or gets dropped down a peg or two, eventually becomes a tale chock full of heart and emotion. The real success story of the film is a revelatory performance from Clooney who really knocks this on out of the park. He always showed the charisma and chops to play confident and successful, but here is allowed to also branch out and express the pent-up frustration that comes with isolated loneliness, the passion one can have for a job that seems horrible, yet, when treated carefully, is a job to take seriously, and the compassion for humanity on the whole, softening enough to realize that there are people around him that need help besides his laid off strangers, help that only he can provide. The evolution he undertakes is really*pretty amazing and I credit Kirn, Reitman, and Clooney for pulling it off with grace and laughter.

Every single actor is unforgettable—even the bit parts like Zach Galifianakis and especially J.K. Simmons as two corporate employees who's jobs have been eliminated. Jason Bateman is hilarious as Clooney's smug boss, fully embodying the take no crap nonchalance he made famous in "Arrested Development"; Farmiga is gorgeous and competent to be able to go toe-to-toe with Clooney in the detachment and power-hungry attitude of flying in style for half a year or more; and, if George's reinvention of character is revelatory, then Kendrick's naïve Natalie is masterful. This girl was top in her class, able to get a job in her field wherever her heart desired, yet settled for this firm specializing in firing people so as to not dirty the workers' real superior's hands. Young and confused about life in the big world of adulthood—set on a plan for marriage and children to occur as though set times on a clock—her eyes are opened to the intimacy and fragility with which a person's mental state can be affected by mere words. When you put them all together, Up in the Air resonates on so many levels; deserving of any praise and accolades to be bestowed upon it. Hilariously funny every second of the way, it is still unafraid to dig into the dark moments of life and treat them with respect and relevancy, going places you wouldn't think it would have the guts to go. You really can't say too much about the film, a top ten of the year entry for sure. Reitman proving to be a force to reckon with and Clooney that he just keeps getting better with age.